Peligro - jumped onstage with NAILBOMB at Dynamo. It breathes again now as the second CD on "1000% Hate".Ī laundry list of heavy music luminaries - including BIOHAZARD's Evan Seinfeld, NEUROSIS's Dave Edwardson, FRONT LINE ASSEMBLY's Rhys Fulber and DEAD KENNEDY's D.H. The Dynamo performance was originally documented in 1995 as the live album "Proud To Commit Commercial Suicide". The heavy metal supergroup performed a warm-up club show the previous evening, at which they were joined by FEAR FACTORY's Christian Olde Wolbers. NAILBOMB had made such an impression that the act, intended as a one-time expression, was invited to Eindhoven, Holland's long-running, renowned Dynamo Festival a year after "Point Blank"'s release. "24 Hour Bullshit" uses the same template but ups the ante in terms of might and tempo. That tension is almost tangible on a cut like "Vai Toma No Cu", a song that sounds like SEPULTURA doing its best GODFLESH impersonation, replete with Max sounding like Justin Broadrick over a stabbing industrial metal onslaught that's as catchy as it is beefy. By Cavalera's own admission, his excessive alcohol intake irritated Newport during the recording. And like many marriages, it wasn't always pretty. "Point Blank"'s 13 songs were the marriage of Cavalera's penchant for raw hardcore punk in the vein of DISCHARGE along with Newport's inclination for samples and industrial sonic hell. The bulk of "Point Blank", however, sounds like the obvious fusion of both main figures. Cavalera's punk-fueled thrash metal attack clearly sits in the driver's seat on the pummeling opener "Wasting Away", while Newport's industrial background informs the entirety of the mechanical, marching beat on "Guerrillas". On certain songs, one or the other takes control. NAILBOMB was essentially a duo, the bastard child of Max Cavalera ( SEPULTURA, SOULFLY, etc.) and FUDGE TUNNEL's Alex Newport, who drafted notable musicians like Max's brother Igor on drums as well as SEPULTURA's Andreas Kisser and FEAR FACTORY's Dino Cazares on guitars to serve as session musicians. Nearly 30 years later, the two albums are being re-released and packaged together as "1000% Hate", the title that the band initially had in mind for "Point Blank". NAILBOMB weren't meant to last, but they sure as hell have made their mark. Between 19 they released one studio effort, 1994's "Point Blank", and had a warm-up gig the evening before their acclaimed European festival appearance, which was documented as the live album "Proud To Commit Commercial Suicide" (1995). Alice Donut - Bucketfulls of Sickness and Horror i.NAILBOMB were a shooting star.Steve Tibbetts - The Fall of Us All (1994).Millie Jackson - It Hurts So Good (1973).The Fits - You're Nothing, You're Nowhere (1982). Gigan - The Order of the False Eye (2008).The Professionals - I Didn't See It Coming (1981).Malvery - Mortal Entrenchment in Requiem (1999).Nailbomb - Point Blank (1994) + Proud to Commit Co. I couldn't decide which record to post - Point Blank is way more essential, but Proud to Commit Commercial Suicide is harder to find - so I went with both.ġ2. Awesomely, they cover Doom's "Expolitation" and Dead Kennedys' "Police Truck". Proud to Commit Commercial Suicide, a well-recorded live album, documents Nailbomb's first and last show, and tacks on a couple of previously unreleased studio tracks. It's a great mix of sludgy industrial pain and straight-ahead, heavy thrash/groove metal. Point Blank is their only studio album, and it's fucking brutal. Nailbomb was a short-lived side project of Max Cavalera of Sepultura (and a bunch of shitty bands) and Alex Newport of the perennially underrated Fudge Tunnel.
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